![]() The Finding America producers were encouraged to take time at the start of their assignment to “observe and absorb” for an extended period of time. Unprisoned discusses things, such as race, that prove that those beliefs just aren’t true.” How to “repose”: Get to know a new community before you report on it “I do believe that America turns a blind eye to racial inequality, in believing that racism no longer exists. ![]() “I think Unprisoned opens the conversation to a lot of things people aren’t always willing to believe or talk about,” said Asha Lane, a New Orleans teen who collaborated with lead producer Abrams on an Unprisoned story. It’s kind of amazing how anger and sadness can create something so beautiful and something you weren’t expecting.”ĥ.) Media can be a powerful catalyst for difficult conversations. “It is kind of interesting to still have so much anger around what happened but still be at peace with my body and who I am. I think, ‘I’m not strong enough to do this,’ and ‘I’m not strong enough to do that,’” Taylor said. “Sometimes I don’t know how I’m still alive. One example comes from competitive sprint kayaker Dorian Taylor, a paraplegic who collaborated with the What’s the Flux project. Many of the Finding America projects were rich with stories of resilience. Even though the people I lost are gone, sharing my story gave me a sense of relief.”Ĥ.) People are more resilient than media coverage would suggest. I touched as many people as I could tonight. I needed to tell my story, because if I didn’t, I knew that I was going to continue to cry at night in my room.” Timberley Princess Brown, 16, who lost her cousin to gun violence, had a similar experience: “In many places, they probably don’t see gun violence. Thirteen-year-old Zanaria Banks, who shared a painful story about her baby brother being shot, told WUWM: “It really hit me really hard, but getting it out with Precious Lives really helped me. This reality was especially evident after a Precious Lives performance that featured teenagers sharing stories about their experience with gun violence. “Richmond is a majority black city … and our narratives have not been celebrated, nor have our accomplishments.”ģ.) We need more safe spaces for youth to share their stories. This was something that I was able to uncover through conversations with the people who live and work here, and digging for the untold story,” Egunfemi said. “This was the last space in Richmond that many people actually occupied before they whisked themselves to freedom and started a new life in places like Philadelphia. In one of the Finding America stories that aired on NPR’s All Things Considered, Egunfemi took listeners through a local restaurant basement that was once part of the Underground Railroad. Richmond activist Egunfemi created altars across the city to mark significant historical places that are - sometimes literally - buried. Because I was able to release my own story, people were able to see my views - or at least take that first step toward understanding me.” (Kimani went on to become a part-time producer at WUNC after Storymakers ended.)Ģ.) Untold narratives are hiding in unlikely places. “The validation I had from the people I interviewed, as well as the people that had heard my story, was exhilarating. “ Storymakers gave me a chance to tell a story that has been on the edge of my mind for a long time,” said Kimani Hall, who pursued a Storymakers piece about his experience dealing with people who tell him he’s “articulate” and “talks white” as a young African-American man in North Carolina. The degree to which they succeeded in their assignment to create new story-making models was directly tied to their ability to establish trusting bonds.ġ.) People are yearning for the chance to be heard and understood. What journalists learn from listening to voicesĮach Finding America team immersed themselves deeply in their communities, first as outsiders and, over time, building meaningful relationships.
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